Dec 17, 2016  fps Creator model pack 53 - Call of Duty pack - Soldats MARAKOV12. High FPS Gamers VS Low FPS Gamers - Duration. 'FPS Creator Has Stopped Working' - Duration: 41:44. John Wolfe 176,021. Canon EOS Rebel T6i DSLR Camera Deluxe Video Creator Kit with Canon. We provide you with everything you will need to take your photo game to the next level. Pro X9; Eyecup Ef; Camera Cover R-F-3; Wide Strap EW-300D; Battery Pack LP. I got this product to upgrade my video quality as I do Youtube and was.

'Task Force 341' Pack for FPS Creator This force's task is to help you make that modern war or tactical shooter idea you've had into a reality. Part of a planned series of game assets, this pack features a -load of inspired characters and weapons. This pack also puts many of the latest and greatest FPSC features to use. Please note: this pack will be tuned and updated once v1.18 is out of beta. 39 new character models • With three texture versions for each (117 total versions) • Pre-assigned to one of three Dark AI factions (player team, player ally or player foe) • Eight of the models are female, one is a tactical robot and the rest are male. • Character features • Poly-perfect hit detection using the latest FPSC limb system • More than 70 new animations (see video and list) • Custom, easy to use, ally scripts keeps things simple • Realistic military styling (based on contemporary U.S.

Marines) • Full shader effects (some characters share normal and specular maps for efficiency) • 1024x1024 diffuse maps and 2048x2048 normal maps give developers a high-end option • Want a totally custom looking game? Shabar mantra by radha krishanan full book on pdf. Reasonably uniform UV maps makes re-textures a snap! • 10 player weapons! • M4A1 assault carbine with open-sights or choice of optics and grenade launcher (6 versions) • M9A1 Pistol with attachable silencer, M1014 Shotgun, M249 SAW and Bayonet • • • Size 433MB.

The EOS Rebel SL2 (known as the EOS 200D outside of North America) is Canon's second-generation ultra-compact digital SLR. It's largely packed with Canon's latest tech, including Dual Pixel AF, a DIGIC 7 processor, Wi-Fi with NFC and Bluetooth, and a new user interface for beginners. While its small size may lead one to believe that it's an entry-level model, similar to Nikon's D3400, the SL2 actually sits above the bottom-end Rebel T6 (EOS 1300D), which costs $150 less. The SL2's main competitor is the aforementioned Nikon D3400, which is just a tad larger and heavier. The SL2s' other peers are all mirrorless and include (in our opinion) the Canon EOS M5, Panasonic DMC-GX85 and the Sony a6000 which, after 3+ years on the market, is still competitive. Key Features • 24.2MP APS-C CMOS sensor • Dual Pixel autofocus (for live view and video) • 9-point autofocus (through the viewfinder) • DIGIC 7 processor • 3' fully articulating touchscreen LCD • 5 fps burst shooting (3.5 fps with continuous AF) • 1080/60p video • External mic input • Wi-Fi with NFC and Bluetooth • Available 'Feature Assistant' user interface Just about everything in that list is Canon's latest and greatest, and the external microphone input is a nice extra.

The one feature that's not new is the 9-point autofocus system that you'll use when shooting through the viewfinder – it's identical to what's found the original SL1, which is over four years old. You'll get a much better focusing experience by shooting in live view, which uses Canon's excellent Dual Pixel AF technology. The SL2 (left) is the mini-me to the still-small Rebel T7i. First, let's take a look at how the SL2/200D compares to the step-up model, the Rebel T7i (EOS 800D). Here's what you get for another $200 (with kit lenses for both models): • 45-point AF versus 9-pt AF • 7500-segment RGB+IR metering versus 63-segment (from which we'd expect better subject tracking) • 6 fps versus 5 fps bursts with S-AF • 4.5 fps versus 3.5 fps bursts with C-AF • Significantly larger buffer • Color tracking for AF in Single AF as well as Continuous AF • Semi-transparent LCD in viewfinder that can overlay grids, different AF points, an electronic level, and more • Built-in flash can trigger wireless strobes Does the average point-and-shoot user need any of that? Probably not. If you plan on gaining more experience in the world of digital photography or want a more robust autofocus system, though, the extra $200 might be worth it.

Now, let's take a look at how the specs compare between the the SL2 and the peers mentioned a few paragraphs earlier. Canon SL2 Nikon D3400 Canon M5 Panasonic GX85 Sony a6000 Resolution 24MP 24MP 24MP 16MP 24MP Sensor size APS-C APS-C APS-C Four Thirds APS-C Lens mount EF F EF-M Micro 4/3 E Image stab. Lens-based Lens-based Lens-based In-camera Lens-based AF system (live view) Dual Pixel Contrast-detect Hybrid (Dual Pixel) Contrast-detect Hybrid AF system (viewfinder) 9-point 11-point N/A N/A N/A LCD 3' fully articulating 3' fixed 3.2' tilting 3' tilting 3' tilting Touchscreen Yes No Yes Yes No Viewfinder type/mag. OVF / 0.54x OVF / 0.57x EVF / N/A EVF / 0.7x EVF / 0.7x # control dials 1 1 2 2 2 Video 1080/60p 1080/60p 1080/60p UHD 4K/30p 1080/60p Wireless Wi-Fi + NFC + BT BT Wi-Fi + NFC + BT Wi-Fi + NFC Wi-Fi + NFC Battery life 650 (OVF) 260 (LV) 1200 (OVF) N/A (LV) 295 (LV) 290 (LV) 360 (LV) Dimensions (mm) 122x93x70 124x98x76 116x89x61 122x71x44 120x67x45 Weight 453 g 445 g 427 g 426 g 344 g Strictly comparing the SL2 and D3400 you'll see that they each have their own strengths and weaknesses. While there are 'little things' like the type of LCD, viewfinder size and wireless functionality, live view autofocus is the main differentiator. It's simply no contest there with the SL2's AF system blowing away the D3400 in live view and movie mode. With the exception of the Sony a6000, the SL2 is close in weight, and not far off in size, to the three mirrorless cameras in the group.